If you like kicks that are thick as hell and challenge the range of human hearing, you will like Thump a lot.

Some of these instruments were released as prototypes or were the early experiments of developers just entering the market.

Often you will follow a link only to find out that its a free demo.

I really dont mind spending a few dollars for some shareware now and again to support a budding developer.

But it behooves even the most experienced consumer to proceed with caution when the word free is thrown around.

And if you can stomach a little extra spam, some of these may prove valuable additions to your stockpile of synths.

But it serves its purpose I suppose because it truly whets the appetite for more stuff from u-he.

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Do not expect this to be a perfect clone of a DX7 since this will take years in the open source world and multiple collaborators before getting there Since Dexed is modeled on the DX7, the Yamaha DX7 Operating Manual can be used as a reference documentation.

MiniSpillage includes three exclusive drum synthesis algorithms along with distortion effects and resonant filters.

Its austere interface is surprisingly responsive and sounds immediately great.

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A bit of crackling when parameters are modified, but worth the time to download for sure.

These are very, very simple sampled instruments with just a handful of controls and they sound really, really good.

While you wont get the flexibility or deep sampled variety of a full-scale library, you will get a great sound that can be slightly varied to taste.

While these are sampled instruments as opposed to synths, theyre free and so good that I felt they warranted inclusion.

The interface is accessible, clean and to the point and thick, beefy sounds are possible from the get-go.

The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect.

A ring modulator and a syncable triangle are also part of this synth.

Its improved amplitude ADSR is very suitable for slow pads and for really fast envelopes.

Frank Xenox Neumann.

Osc 2, - 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).

Modulates filter, Osc 1, Osc 2, FM, PW, LFO rate, Panorama and Volume.

You can add low end to drums, augment a bass or even create synthetic drones.

You can use Thumps envelope driven, percussive sub-harmonic synth for the following things (among others).

But Thump allows more control, two oscillators that can be changed on the fly and more pitch specific envelope control.

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